Broken​/​Beats [Remixes]

by Frank Irwin Quintet

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  • Record/Vinyl + Digital Album

    Features remixes and flips by Portland based producers and emcees (Brown Calvin, MLTZR, LesMoss, Neill Von Tally, Benja, Ben Martens, Cloud Castle, Dusty Fox, and Rufus Smalltownz) using samples from FIQ debut "Better/Broken".
    Hand screen-printed jackets by Archetype Library
    Limited edition of 100 copies
    Released August 24, 2019

    Includes unlimited streaming of Broken/Beats [Remixes] via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 100 

      $20 USD or more 

     

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about

Building on the success of their 2018 debut “Better / Broken”, Frank Irwin Quintet enlisted the chops of some of Portland’s best hip/hop producers to craft an LP of remixes, “Broken / Beats”. With regular play on KMHD’s Morning Session and New Jazz For Lunch, Frank Irwin Quintet has woven their sound into the jazz fabric of Portland.

FIQ’s evocative brand of jazz music is reimagined on “Broken / Beats”, featuring chops and remixes of “Better / Broken” by Neill Von Tally (The Last Artful, Dodgr, Blossom), Brown Calvin (Brown Calculus, Tribe Mars), Alex Meltzer (Korgy & Bass), LesMoss (It’s Future Time), Benja (ADDverse Effects), and Ben Martens. The album also features guest verses by Cloud Castle, Dusty Fox (Two Planets), and Rufus Smalltownz.

credits

released August 23, 2019

Mastered & Cut by Gus Elg at Sky Onion Mastering Studio, Portland, OR
Track 4 Mixed by Teal Hobson-Lowther

Better Broken Album Personnel:
Barra Brown - Drums
James Powers - Trombone
Ian Christensen - Saxophone
Chris Frank - Bass

All songs published by Or/Similar Music
Copyright 2019 Or/Similar Music

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about

Frank Irwin Quintet Portland, Oregon

Inspired by his work as a middle school teacher, Frank lets the humanity of music shine through his compositions and arrangements, embracing a songbook that takes listeners through an eclectic array of genres, from hip-hop to show tunes, all told through the infinite idiom of Black American Music. ... more

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